On Wednesday night myself, Per and Steve Bassett finally got around to playing Ron Edwards' Spione.
We've been trying to arrange this game since July, and finally we were all in the same place. Joe Prince couldn't make the game though, which was a shame.
So, some AP.
We assembled at Steve's and Per and I had brought copies of the book. We had read through it but Steve hadn't yet seen a copy. As it turned out this was not a problem.
We also had the print outs from the Spione website: (i) agencies in Berlin through the decades, (ii) a (confusing) "summary" of play (that we didn't actually consult until late in the session -- it made sense then but was no longer needed), (iii) maps of Berlin, (iv) the Spy/Guy and operations sheets, and most useful of all (v) a German names list. Really, you will consult that names list more than any other thing.
So, to start we sat around Steve's big table, put the various sheets and books out front and had a deck of cards handy.
We stepped through Chapter 6, the rules of Story Now, and it was incredibly simple for us. The text is very prescriptive and is really well written. There were no misunderstandings or any confusion.
It was to be the 1960s.
Per and Steve looked through the Spy/Guy and Operations sheets, as they would run a Principal each. I was therefore not running one, but instead separated the card deck into a Fate Deck and a Flashpoint deck. I would be the Ace, Per the King and Steve the Queen.
We clipped together the two Principals
- Lucien, an old Swiss professor, spying for the Stasi against a writers' group.
- Anton, a Russian, spying for the KGB against the US.
and we scribbled on the sheets. Lucien has a young wife Lilli, etc.
We then wrote down the Tespasses (things, we as players think are morally wrong that either we, or someone we diretly know, has done) and Steve fetched a plastic tub to put them in. Per and Steve picked a trespass each, read it and put it between the sheets of each Principal.
So, having amended the sheets a little more we began play.
Since I had the Ace I started with a Manuever. Since no principals were in play I opened a scene for Anton. Steve was next and could either continue with Anton or open a scene for Lucien -- he continued with Anton. Per then opened a scene for Lucien. Play proceeded in a natural manner, actually, and sometimes we just stated what was happening and other times we spoke as in in character and acted out.
Basically, Anton was photographing American military plans while working as a German in a cartography company in West Berlin. He bumped into a former Nazi, also under an assumed name, that knew him from the war. This Nazi was visiting Anton's boss, another Russian under cover. They agreed to go for coffee and while there German polic swooped to arrest the Nazi. At the same time an unnamed armed group (undercover police? a secret service? the Red Army Faction?) turned up too. Flashpoint was reached.
For Lucien he was bugging the writers group and taping their meetings. He was almost caught by a rival colleague but bluffed him off. However, when he went to collect the tape it was missing. His student Horst had the tape and said they should go to the authorities. Lucien's rival heard the commotion and disagreed about what to do. Flashpoint.
In Flashpoint the cards strongly went the way of the two Principals. A double King for Per and a double Queen for Steve. The methods for moving cards was easily understood and non-controversial. The rights of who spoke when in Flashpoint and what authority they had was also clear.
Lucien got the tape and Horst and his rival would speak of it no more.
Anton framed the Nazi as a spy by slipping some film into his pocket, and saw him bloodily shot dead by the Red Army Faction. Anton made off with the Nazi's briefcase.
My no-shot narration was of the newspapers carrying the murder on their front pages.
We then went back into Manuevers with Steve kicking it off this time. I thought play progressed in a pleasing way, and the fact that there were no Player Characters wasn't a problem at all.
Horst has shown up in both stories now and is emerging as a central character. Lilli is also emerging though has never been seen so far.
At the end of the second Flashpoint...
Lucien has persuaded the Stasi that he isn't involved with his handler disappearing (defecting?) and knows nothing of his wife's disappearance too (Per got strong narration but I hindered it). He couldn't explain why the last five tapes have been blank, something that coincides with Horst saying Lilli has been attending meetings, supposedly when she is at gymnastics. Has the old professor been honey-trapped?
Anton has been drinking in a bar after the murder of the Nazi and almost missed a dead drop. He witnessed Horst apparently reveal himself to be working for the West German secret service. So is he undercover in the writers' group or just blowing smoke to the German police with false ID? Anton now has a mysterious package from his handler and narrowly escaped arrest.
Lucien revealed his Trespass, and has now written out his rival professor too.
We ended there for the session and will pick it up next Wednesday.


Excellent! A lot of Spione
Submitted by Ron Edwards on Sun, 16/09/2007 - 17:05.
Excellent!
A lot of Spione stories begin with a flurry of action, and then turn into a murky, scary environment of uncertainty, in which the most important emotional connections are formed. It looks like this story is a great example.
What was Lucien's Trespass?
Best, Ron
Per might remember more exactly than me
Submitted by Gregor Hutton on Sun, 16/09/2007 - 20:07.
As Per wrote on the trespass he might remember better than me. I think it was something like "betrayed a close friend's trust" or something.
From what I remember the detail was that Lucien had stolen a student's thesis and turned the student back over to the Stasi.
It would be career suicide if this got out, and the betrayed student sits like a black mark on Lucien's dossier!
IIRC, the trespass was
Submitted by Per Fischer on Mon, 17/09/2007 - 10:25.
IIRC, the trespass was "Betrayed a friend's trust", yes.
Lucien is spying because his young wife's mother still lives in the GDR and is being threatened with arrest, jail etc by Stasi. The wife, Lilli, has managed to flee East Germany.
When I read the trespass, it immediately occurred to me that Lucien maybe is an asshole, primarily out to save his own skin, and trying to wiggle himself out of his forced situation as a spy. He tried that by giving up his friend (a student) to Stasi, hoping it would buy him free. It of course also played a part that Lucien was looking to steal his friend's thesis to further his own career, which would be greatly helped if the friend was jailed in GDR instead of studying in West Berlin.
Per
http://darkplaces.squarespace.com
I am interested if you think
Submitted by Iain McAllister on Mon, 17/09/2007 - 19:55.
I am interested if you think the game does what it sets out to achieve: bringing story games to a new audience. Can you see yourselves playing it with people interested in the spy genre but who aren't roleplayers? Can you see them playing it off their own backs?
Cheers
Iain
Mob Justice now available!
'The Giant Brain':Small games, big ideas.
Iain, That vision has faced
Submitted by Ron Edwards on Wed, 19/09/2007 - 18:39.
Iain,
That vision has faced some really bad roadblocks. The original plan included two key things:
1. Release in German in Berlin bookstores. The bookstores were willing but the translations hit a brick wall last December.
2. Better and more extensive actual-play videos. I need to film play using the real rules and to upload them.
Without them, the whole project was basically cut back to about 40% effectiveness, maximum. It's currently about there now. At that level, my vision of bringing this whole thing into a wide audience can't be assessed. It's basically blocked.
Addressing the question "can it work for non-gamers" without those in place is not really fair.
Best, Ron
Wow!
Submitted by Gregor Hutton on Thu, 20/09/2007 - 00:15.
Well, we finished the game tonight and it was a very enjoyable experience. I guess the whole game was about 6 hours over 2 sessions. It really felt right when we finished the game.
Mechanically the game is very easy and I think, if anything, already being a gamer might limit your choices. Someone new to it would probably grab at things that a pre-selected gamer might baulk at. For example, we found that the two players with Principals did associate with their Principals almost as if they were PCs, but this needn't have been the case at all.
Anyway, here are some endings to keep fresh in my mind:
Lucien Besse elevated to immunity by the Stasi he retired a broken and weary man, after the death of his wife Lilli. Made peace with Hannes and died sometime in the 1980s. Hannes outed him as a spy in his Obituary.
Anton Khostov aka Dietmar Shäfer, was due to be imprisoned for 40 years after spying materials were found on him and at his house. Pled that his boss Fuchs aka Yuri was the actual spy. Framed Yuri with the help of German intelligence and became a double agent. Got cold feet when Control asked him to report back on Andropov and the Kremlin in the late 1960s. Evaded pick up by the Americans and Russians in Berlin and fled on a train to the FRG. Was discovered to be dead at the border, having been poisoned by an umbrella tip on the trip.
Anton died before the final maneuvers during the penultimate flashpoint. Lucien was killed and outed as a Spy with the final card of the game, a doubled Ace.
Oh, brutal. You guys laid
Submitted by Ron Edwards on Thu, 20/09/2007 - 02:48.
Oh, brutal. You guys laid waste to the whole cast!
What was Anton's disclosure? Or did he?
It seems clear to me that Per's judgment upon his own Principal, upon reading the Trespass in the first place, was a key factor of play.
Also, Iain, I apologize for my whiny last post. I hope I can get it all back on track again, but that's no reason to shut down your excellent question.
Best, Ron
Anton...
Submitted by Gregor Hutton on Thu, 20/09/2007 - 10:24.
Anton's Trespass was that he had stolen from a relative. He had taken the identity of Dietmar Schafer from a relative of his wife during/after the war.
The reveal was well done. Anton is in jail protesting that he is not Anton, never has been this Anton, etc. and is clearly Dietmar.
The investigator says that he is Dietmar's son and Anton blanches. Whether the investigator was Dietmar's son was not known for sure but Anton of course, was not in any way the real Dietmar Schafer.
This happened in prison and led to a flashpoint. The outcome was Anton got 40 years in jail for spying (two aces) but Per hindered that down to them offering a deal if he played ball. Steve then used a doubled Queen to take the deal and kill off Yuri instead! What a scumbag!
I had started that round of maneuvers and framed Anton into jail along with Yuri. There was so much evidence and money lying around his bedroom from the previous scene that the authorities happily threw him into jail until they could work out what exactly was going on: either Yuri or Anton was a spy, and possibly helping former Nazis escape to Brazil.
Yuri was greedy but Anton really threw him to the wolves to save his own neck.
Lilli
Submitted by Gregor Hutton on Thu, 20/09/2007 - 10:28.
Oh, and it was proved in the end that Lilli was a spy feeding false info through the bugged writers group. Her marriage to Lucien was a sham to put her in a position of trust in the writers group. I don't think they knew that he husband was the one spying on the group.
Lucien did find out that Horst and Lilli had been lovers the year before he met her, and this really destabilised his marriage as he found himself incapable of talking to her about it.
It was funny, Lucien wanted out and was more and more distanct from his handlers, but he was always reaching for one last thing before quitting. And he continued with this until he was broken.
Oh!
Submitted by Gregor Hutton on Thu, 20/09/2007 - 20:08.
Just to say that we might have to wait a while for Ron to come back to this post. His wife Cecilia just gave birth to a boy (Erik) and a girl (Annika).
Congratulations to Ron, Cecilia, Annika and Erik from everyone here.
[Edited: to spell Cecilia's name right!]
Thanks for the info Ron, and
Submitted by Iain McAllister on Fri, 21/09/2007 - 16:37.
Thanks for the info Ron, and congratulations. I hope all are well.
Iain
Mob Justice now available!
'The Giant Brain':Small games, big ideas.
Thanks to all
Submitted by Ron Edwards on Fri, 28/09/2007 - 02:23.
It's great to read about your experiences with the game and thanks for the good wishes.
Best, Ron